RANDOM RAMBLINGS OF THE MUSICAL MIND

A peak into the mind of John Hampton

Tora Tora’s walking shoes take them to “Wild America”

When Brian Huttenhower from A &M Records came into my “office” (a couch in the hallway ) at the studio that day, the last thing I expected was his question. Tora Tora, the  first band we had signed to our production company, was nearing the end of another wearying tour, and, unlike most rock bands’ first tours, it seems to have done amazingly well. Their three certifiable mini-hits, “Walkin’Shoes”, “Phantom Rider”, and “Guilty” had indeed seen the light of day, and there were probably a few more in the hat. They had seen a boatload of cities, and they made me privvy to some road stories about groupies getting the royal treatment back-stage, with one special story about a deli-tray and bonus points for hitting certain body parts; a veritable backpack of backstage stories, which I thought were surely just rumors. Surely.

This degree of success at this early part of the boys’ career is what made Brian’s question such a surprise: “So Hampton, you want to do their next record?” My response was one of curiosity, since I thought their last record sounded great. “Why? Not enough low-end for mainstream rock radio?”

Now HE looked surprised, “No, stupid! (Brian and I were close enough that he knew he could get away with that.) PRODUCE their next record!”. Now I WAS taken aback. I was sure he was talking about my sonic abilities, not my song/concept musings. Hence the bass reference.

Produce them? Where I come from, if a record does as well as this had, it was unusual to change horses midstreamlike this. But then again, Brian wasn’t known for playing it safe. (A.D.D. moment– Brian had come in the studio that day wearing a pair of Nike athletic shoes that were probably called Atomic Air Supremacy Deluxe, Special Edition Quantum Accelerator GOLDS. After staring at them a minute, I looked at Brian and asked, “Brian, exactly what kind of shoes ARE those?” Brian looked at the shoes, which added a full inch plus to his height, then he looked at me, then the shoes again, and responded,”Whaddaya mean?” Eight seconds of dead silence. Then, as serious as cancer he looked up and replied, “Bitchin’!” THAT was classic Brian.

So why me to produce their next record? The first one did O.K. didn’t it?

“It did allright, I just wanted to try something different.” Brian could hear hit songs a mile away. He had signed Soundgarden, Temple of the Dog, Extreme, Tora Tora, and now Gin Blossoms? Plus he was looking at a couple of other bands. Brian is talented. So talented in fact, that if he wanted me, he had me. “Sure!”

Well, it seems that the band would also glad if I would agree to do it, I found out later. Whatever had led these guys to this decision was one question I didn’t care to ask. They liked me, I liked them … let’s go.

What I liked most about Tora was that right when you thought you were getting any hair-band USA, you got something much deeper, though it wasn’t obvious at first glimpse. They were yet another clash of cultures that yielded a unique artform. This time, it was LA big-hair-big-sound pretentiousness in a real, delta based soul package, complete with mud and mosquitos. “Phantom Rider” had always sounded like a Skynyrd hit, and “Walking Shoes” was a riff-rock powerhouse from the same tree. A story of a man who had been jilted for the last time, so he broke out the walkin’ shoes. If THAT wasn’t a common blues phrase, I nominate it. Along side “I hear my back door slam”, “left home for a brown-eyed man”, “down on the killin’ floor”, and of course “Who Let the Dogs Out”.         (a joke, son)

So this was the key to the band I had decided to keep to the forefront as we made their second record. They wrote, and we hammered the songs out in an unused building a block from the studio. The Pink House we called it. It had been the big, string and horn recording studio owned by a jingle mill named Pepper-Tanner, well known in advertising music. Pepper-Tanner also made a sound effects library, (sorry, another ADD moment) and one infamous entry in this library was a sound-bite entitled “Man shoots pig”.

Over the next few months we recorded, wrote, rehearsed, recorded, wrote, and rehearsed. Suddenly one day I looked up and there were 2 overdubs left until we were done. Everything else on our production chart had been marked through. WOW! Time flies when you are having fun. So, I called Brian and he showed up a couple days later.

In a pecan shell, Brian wanted more. Where we thought it was a ten, Brian wanted eleven. Now I was in a pickle. I had committed to start Gin Blossoms (also for Brian) in about two weeks, but I can never blame a person who wants more, as long as he is paying for it.

So I went to Phoenix to start Gin Blossoms first record, which was later named “New Miserable Experience”, and Brian had a guy come in to cut some more on Tora Tora. I knew it was headed for huge success. But we all failed to foresee the effect that a new type of music that was boiling just under the surface would have on bands such as Tora Tora, who was NOT another any hair-band USA. The danger I saw was that they could possibly be “thrown out with the bath water.” Only time would tell, but my favorite, “Nowhere to Go But Down” was already becoming a favorite with people at the label, which was re-assuring. I didn’t want to leave these children in a lurch, and Brian spoke highly of the incoming guy, but alarms sounded when it got around that his biggest claim to fame was Ratt, so I had a little sit-down with him to get my two cents worth in. And I left it in his “capable hands” as I headed out for Gin Blossom land.

On my return from Phoenix a couple weeks later, I asked my co-producer how it had been going. Turns out he wore a toupee and the guys had been having a ball with him, putting duct tape across the doorway right at head level, just waiting to catch that furry thing in it’s stickum! I laughed until I was aching. They said it was going okay, but he was trying to make them into a Poison meets Motley Crüe meets Slaughter thing, and they’d had been a few “rock moments”, but otherwise, all was well. Good. I had actually missed these guys, and we were becoming good friends.

Next time Brian came in to town, we all sat and listened. Wild America was born. And now, New Miserable Experience was in it’s second trimester. Two radically types of music heading to radioland at about the same time. When I first heard the genius of  Kurt Cobain’s “Smells Like Teen Spirit’, I began to wonder if the listening/buying public would equally embrace this musical expanse. Ah, just put it out and see what happens. Right?

Next question … yes, you … in the toupee …

6 Responses to “ Tora Tora’s walking shoes take them to “Wild America” ”

  1. ElizabethMontgomery Says:

    Thanks, Hampton! Since I started reading your blog, I have actually learned a bit more of the history between you and Ardent. Keep it up… Love the blog!


  2. redmatch Says:

    One of my friends already told me about this place and I do not regret that I found this article.


  3. G.E. Teel Says:

    Wow, I’d never seen this pic before! Got any more??? Way cool. Brings back a lot of great memories. I had an awesome time working on that record with you, I learned so much and gained a lot of confidence in myself. Thanks again!


  4. Mr.Murder Says:

    “Two radically types of music heading to radioland at about the same time.”
    The difference is part of what makes Ardent so dynamic. There is a style of music for everyone out there, Ardent tries to reach each of those audiences.

    Did you ever like Tatoo Rodeo? They were as close as one could get to Tora Tora in that time and genre. Hair Bands, with bona fide roots elements in their music.


  5. obd2 scanners Says:

    I utterly liked reading about Tora Tora’s walking shoes take them to “Wild America” | RANDOM RAMBLINGS OF THE MUSICAL MIND and think it was well worth the read. The only other site I found on Google wasnt as good as this one, thanks.


  6. Fotokonie Says:

    great art!


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